Manson brought his current “Hey… Cruel World” tour
to a sold out House of Blues in Boston, MA on Saturday night in support
of his recently released album “Born Villain”. The energy level in the
crowd was there from the start. A frenzy of fans pushed and shoved their
way as close to the stage as they could get the second the curtain
dropped and the opening notes of “Hey… Cruel World” rang out. Manson
worked his way through a very short setlist mixed with hits and a few
new songs during the span of a surprisingly brief set. Classics like
“Rock Is Dead”, “mOBSCENE”, and “Disposable Teens” had the crowd riled
up and moving the whole time. Manson also made room in his set for new
songs off “Born Villian” such as “No Reflection” and “Slo-Mo-Tion”.
Manson wrapped up the main set with “Antichrist Superstar” before coming
out for a brief encore in which he played “The Beautiful People” and
then called it a night.
While Manson was on stage, his performance was
brilliant. He showed that he is still a master of his craft in the shock
rock genre. But many did take issue with the strikingly short length of
his setlist. Clocking in at just over an hour of playing time, it was
more the type of set you’d expect at festival rather than a headline
show.
My personal theory on why his sets have been
running so short lately has to do with the current personnel in his
band. With longtime drummer Ginger Fish leaving to join Rob Zombie,
Manson is working with a new drummer for the first time since 1995. Also
departing only a few years ago was guitarist Tim Skold who’s departure
left bass guitarist Twiggy Ramirez with the only option of switching
over to lead guitar and handing over bass duties to Fred Sablan. A quick
look back at Manson setlists from his last visit to Boston in 2008
revealed that with those members backing him, he was playing over 20
songs a night, and mixing the selection very well with some lesser known
songs. This begs the question of whether or not Sablan and drummer
Jason Sutter are capable of handling live performances of some of the
lesser known Marilyn Manson songs.
Opening the
show were Los Angeles band and self proclaimed “Slut Metal” act,
Butcher Babies. Their stage show was clearly influenced by Manson, and
their music complete with hard hitting riffs and strong guttural vocals
served up a great warm up act for Manson. Also seen was the ever rare
opening act encore as Butcher Babies breezed through their set so
quickly they were able to come back for another song.
Despite how long it lasted, Manson’s brief set,
was still quite good. Throwing in confetti, fake snow, steam machines,
several outfit changes and even performing from a top a makeshift podium
complete with a dozed fake microphones, Manson showed off the top notch
stage production and stage presence that he is so well known for. All
in all the show was quite good while it lasted, but definitely could
have used a handful of songs added in.
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